德拉克的回归_49_电影在线观看全集完整版免费高清剧情片

正在播放德拉克的回归第49集

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剧情介绍

电影德拉克的回归第49集是导演爱德华·格莱纳特别邀请拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦萨约娃,威廉·波洛尼,Jela,Buckova,Jozef,Cierny,Pavel,Chrobak,米库拉斯·洛迪津斯凯,Ivan,Macho,Ján,Mildner,Andrej,Mojzis,Jan,Pelech,卢多维特·赖特尔,斯特凡·克维季克,Milan,Mach等演员出演,才有了这部1968年在其它上映的高帧数剧情片,当前已完结,(宏伟影院https://www.hongwei18.com)提供评分为8.0的德拉克的回归49剧情介绍：与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).电影栏目,年度佳片合辑,本页带来多维度主题精选,覆盖惊悚恐怖,战争史诗,历史传记,动画合家欢,纪录现实,体育励志,公路旅程,黑色幽默,奇幻史诗等热门方向,兼顾社会话题,动作冒险,爱情浪漫等细分口味,强调剧情完整与信息密度,节奏紧凑,情绪起伏鲜明,人物弧光清晰,并提供关键词聚合,分类导航,相似内容推荐与多端访问优化.支持高清流畅播放,更新及时,题材分区清晰,搜索直达,便捷追看;高口碑,高热度,新鲜度.

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